![](\"http:\/\/www.erzurumflas.com\/wp-content\/uploads\/2016\/04\/istanbulun-kadinlari-fotograflarini-khasta-gorucuye-cikardi_56637a9.jpg\")
Aralar\u0131nda farkl\u0131 k\u00fclt\u00fcrlerden sava\u015f, s\u00f6m\u00fcr\u00fc ve t\u00f6re gibi bir\u00e7ok nedenle ya\u015fad\u0131klar\u0131 yeri terk edip \u0130stanbul\u2019a s\u0131\u011f\u0131nan kad\u0131nlar\u0131n \u00e7ektikleri foto\u011fraflar\u0131n da bulundu\u011fu “\u0130stanbul\u2019un Kad\u0131n Renkleri\u2019\u2019 sergisi Kadir Has \u00dcniversitesi\u2019nde (KHAS) sanatseverlerle bulu\u015ftu.<\/p>\n
Kadir Has \u00dcniversitesi ve Canon Eurasia ortakl\u0131\u011f\u0131nda ger\u00e7ekle\u015ftirilen ve “\u0130stanbul\u2019un Kad\u0131n Renkleri\u2019\u2019 ismiyle sanatseverlerle bulu\u015fan serginin a\u00e7\u0131l\u0131\u015f\u0131 ger\u00e7ekle\u015fti. Daha \u00f6nce hi\u00e7bir foto\u011fraf e\u011fitimi olmayan ve Ermeni, Suriyeli, LGBT\u0130 gibi aidiyetlere sahip 10 kad\u0131n, Kadir Has \u00dcniversitesi\u2019nin foto\u011fraf\u00e7\u0131s\u0131 Ula\u015f Tosun\u2019un koordinat\u00f6rl\u00fc\u011f\u00fcnde 3 ay foto\u011fraf e\u011fitimi ald\u0131ktan sonra kendi g\u00f6zlerinden \u0130stanbul\u2019da g\u00fcnl\u00fck ya\u015fam\u0131 foto\u011fraflad\u0131lar.<\/p>\n
\u00dcNL\u00dc \u0130S\u0130MLER FOTO\u011eRAFLARI H\u0130KAYELE\u015eT\u0130RD\u0130<\/p>\n
Projenin Belgesel At\u00f6lyesi Koordinat\u00f6r\u00fc ve Kadir Has \u00dcniversitesi foto\u011fraf\u00e7\u0131s\u0131 Ula\u015f Tosun bu serginin, \u00fcniversitenin sosyal sorumluluk projeleri kapsam\u0131nda faaliyet g\u00f6steren belgesel foto\u011fraf at\u00f6lyesinin 4\u2019\u00fcnc\u00fc \u00e7al\u0131\u015fmas\u0131 oldu\u011funu belirtti. Tasarlad\u0131klar\u0131 \u00e7al\u0131\u015fmaya \u0130stanbul\u2019un kozmopolitli\u011fini yans\u0131tmas\u0131 ad\u0131na Suriyeli, Kamerunlu, Ermeni, transseks\u00fcel gibi \u0130stanbul\u2019da rastlanabilecek her renkten kad\u0131n\u0131 dahil ettiklerini dile getiren Ula\u015f Tosun, “Bu kad\u0131nlar \u00fcniversitede 3 ay s\u00fcre ile belgesel mant\u0131kl\u0131 foto\u011fraf dersleri ald\u0131lar. Ard\u0131ndan kendilerinden g\u00fcndelik hayatlar\u0131n\u0131 foto\u011fraflamalar\u0131n\u0131 istedik. Foto\u011fraf gezilerini e\u011fitmen e\u015fli\u011finde yapt\u0131lar. Bu gezilerden elde edilen 10 foto\u011fraf\u0131 se\u00e7tik. Projeyi daha g\u00f6r\u00fcn\u00fcr k\u0131lmak ad\u0131na da foto\u011frafla metnin bir arada oldu\u011fu bir \u00fcr\u00fcn ortaya \u00e7\u0131karmak istedik. Bunun i\u00e7in kamuoyu taraf\u0131ndan tan\u0131nan 10 isim foto\u011fraflar\u0131 \u00f6yk\u00fcle\u015ftirdi ve sergi ger\u00e7ekle\u015fti” diye konu\u015ftu.<\/p>\n
Projede yer alan foto\u011fraflar\u0131n \u00f6yk\u00fcleri ise; Ay\u015fe Karabat, Ayten G\u00f6rg\u00fcn Smith, Buket Uzuner, Esmeray, M\u00fcge \u0130plik\u00e7i, N. Buket Cengiz, Nev\u015fin Meng\u00fc, Pelin Batu, Sevda Alanku\u015f, \u015eevval Sam gibi konuya duyarl\u0131 gazeteci, akademisyen, yazar ve i\u015f d\u00fcnyas\u0131ndan kad\u0131nlar taraf\u0131ndan yaz\u0131ld\u0131.<\/p>\n
“FARKLI BAKI\u015e A\u00c7ILARI KAZANDIM\u2019\u2019<\/p>\n
Projeye dahil olan kad\u0131nlardan Karolin Sar\u0131, D\u00fc\u011f\u00fcn ve Vaftiz Cenaze Organizat\u00f6r\u00fc olarak \u00e7al\u0131\u015f\u0131yor. Projeye arkada\u015f\u0131 arac\u0131l\u0131\u011f\u0131yla kat\u0131ld\u0131\u011f\u0131n\u0131 s\u00f6yleyen Karolin Sar\u0131, “Bu proje bana farkl\u0131 bak\u0131\u015f a\u00e7\u0131lar\u0131 kazand\u0131rd\u0131. Yeni insanlar\u0131, renkleri, hayatlar\u0131 fark etmemi ve i\u00e7imde de pek \u00e7ok farkl\u0131 bak\u0131\u015f a\u00e7\u0131s\u0131 oldu\u011funu ke\u015ffetmemi sa\u011flad\u0131\u2019\u2019 dedi. Sergide yer alan foto\u011fraf\u0131yla ilgili de konu\u015fan Sar\u0131, \u015funlar\u0131 s\u00f6yledi:<\/p>\n
“Bu foto\u011fraf deneme ama\u00e7l\u0131 \u00e7ekti\u011fim ilk foto\u011fraflardan biriydi. Pencerenin \u00f6n\u00fcnde duran kargay\u0131 g\u00f6r\u00fcnce foto\u011fraf\u0131n\u0131 \u00e7ekmek ve bunun bir \u015feyler anlatmas\u0131n\u0131 istedim. Foto\u011frafa bakt\u0131k\u00e7a kendimden de bir \u015feyler g\u00f6rmeye ba\u015flad\u0131m. Bir tarafta yer alan karga \u00f6l\u00fcm\u00fc yani mesle\u011fimi \u00e7a\u011fr\u0131\u015ft\u0131r\u0131yor. Di\u011fer tarafta yer alan k\u00fc\u00e7\u00fck bir k\u0131z tac\u0131 ise mucize ve umudu \u00e7a\u011fr\u0131\u015ft\u0131r\u0131yor. Evin g\u00f6r\u00fcnt\u00fcs\u00fcn\u00fc ve perdelerini ise ya\u015fam olarak tan\u0131ml\u0131yorum. Foto\u011fraf\u0131n b\u00fct\u00fcn\u00fcne bakt\u0131\u011f\u0131mda ya\u015fam\u0131n i\u00e7inde her \u015feyin bir arada oldu\u011funu ve kenarda k\u00f6\u015fede mutlaka bir umut oldu\u011funu hissediyorum.\u2019\u2019<\/p>\n
“FOTO\u011eRAFLARIN DUYGUSU OLDU\u011eUNU BU \u00c7ALI\u015eMA \u0130LE \u00d6\u011eREND\u0130M”<\/p>\n
Kendisini bir anda projenin i\u00e7inde buldu\u011funu belirten ve garson olarak \u00e7al\u0131\u015fan Dilan \u00c7etinkaya ise, \u2018\u2019Foto\u011frafla hi\u00e7 aram yoktu. \u0130lk ba\u015fta makineyi elime ald\u0131\u011f\u0131mda herhangi bir duygu hissetmiyordum. E\u011fitim s\u00fcrecinde foto\u011fraf makinesini \u00f6\u011frenmenin yan\u0131 s\u0131ra foto\u011fraf\u0131n sadece bir kare olmad\u0131\u011f\u0131n\u0131 ayn\u0131 zamanda i\u00e7inde duygu bar\u0131nd\u0131rd\u0131\u011f\u0131n\u0131 da \u00f6\u011frendim. Babam foto\u011fraf\u00e7\u0131 olmas\u0131na ra\u011fmen benim hi\u00e7 merak\u0131m yoktu ve neyi neden \u00e7ekti\u011fini hi\u00e7 sormazd\u0131m ama durum \u00f6yle de\u011filmi\u015f\u2019\u2019 ifadelerinde bulundu.