![](\"http:\/\/www.erzurumflas.com\/wp-content\/uploads\/2017\/08\/muhammed-ridvan-sadikoglunun-yeni-romani-kerb-u-bela-cikti_9449784.jpg\")
Muhammed R\u0131dvan Sad\u0131ko\u011flu\u2019nun yeni roman\u0131 \u2019Kerb-\u00dc-Bela\u2019 raflardaki yerini ald\u0131. Kitap, Kerbela olay\u0131n\u0131 g\u00fcn\u00fcm\u00fczle i\u00e7selle\u015ftirerek olu\u015f nedenleri ve sonucu itibariyle 1337 y\u0131l sonra bile ya\u015fanan \u00e7arp\u0131c\u0131 benzerliklerle g\u00fcn\u00fcm\u00fcz Kerbela\u2019lar\u0131na da \u0131\u015f\u0131k tutaca\u011f\u0131 anlat\u0131ld\u0131.<\/p>\n
\u2019\u0130nsan insana emanettir\u2019 arg\u00fcman\u0131n\u0131 ilke edinerek farkl\u0131 \u00fcslubu ve kalemiyle edebiyat d\u00fcnyas\u0131nda \u2019objektif ger\u00e7ek\u00e7ilik\u2019 bak\u0131\u015f a\u00e7\u0131s\u0131yla kalem\u015f\u00f6rl\u00fc\u011f\u00fcn\u00fc yo\u011fun bir \u00e7al\u0131\u015fmayla s\u00fcrd\u00fcren Yazar Muhammed R\u0131dvan Sad\u0131ko\u011flu, \u015fimdi de yeni roman\u0131 “Kerb-\u00fc-Bela” ile 13 as\u0131r \u00f6nce ya\u015fanan Kerbel\u00e2 olay\u0131n\u0131n, \u0130slami ve insani de\u011ferler a\u00e7\u0131s\u0131ndan g\u00fcn\u00fcm\u00fcze yans\u0131y\u0131\u015f\u0131n\u0131 bir roman kurgusuyla kaleme ald\u0131. Yazar, roman\u0131nda \u0130slam d\u00fcnyas\u0131n\u0131n ortak ac\u0131s\u0131 ve ilahi bir \u015fefkat tokad\u0131 olarak nitelendirdi\u011fi Kerbela olay\u0131n\u0131 g\u00fcn\u00fcm\u00fczle i\u00e7selle\u015ftirerek olu\u015f nedenleri ve sonucu itibariyle 1337 y\u0131l sonra bile ya\u015fanan \u00e7arp\u0131c\u0131 benzerliklerle g\u00fcn\u00fcm\u00fcz Kerbela\u2019lar\u0131na da \u0131\u015f\u0131k tutaca\u011f\u0131 anlat\u0131ld\u0131. \u00c7arp\u0131c\u0131 anektodlar\u0131 ve lirik kalemi ile herkesi zamanda yolculu\u011fa \u00e7\u0131kararak, Kerbela ger\u00e7e\u011finin zamans\u0131zl\u0131\u011f\u0131n\u0131, \u0130slam D\u00fcnyas\u0131\u2019n\u0131 nas\u0131l kanatt\u0131\u011f\u0131n\u0131 idrak ettiren ve sadece ilk cildi yakla\u015f\u0131k 500 sayfa olan \u2019Kerb-\u00dc-Bela\u2019, kitap\u00e7\u0131lardaki yerini ald\u0131.<\/p>\n
Eserleriyle toplumsal yaralara dokunmaya gayret eden ve \u2019Kerb-\u00fc-Bela\u2019 roman\u0131n\u0131 \u2019\u0130slam\u2019\u0131n Kanad\u0131\u011f\u0131 Mekan\u2019 ba\u015fl\u0131\u011f\u0131 ile \u00f6zetleyen Muhammed R\u0131dvan Sad\u0131ko\u011flu, “Kerbela\u2019n\u0131n an\u0131lmaktan \u00e7ok anla\u015f\u0131lmaya ihtiyac\u0131 var; zira Kerbela, bug\u00fcnk\u00fc \u0130slam hezeyan\u0131n\u0131n anla\u015f\u0131labilmesi i\u00e7in ilahi bir ders niteli\u011findedir. Tarih boyunca m\u00fcsl\u00fcmanlar \u2019a\u015firet\u00e7ilik\u2019, \u2019kabilecilik\u2019, \u2019tekfir\u2019 ve \u2019yery\u00fcz\u00fc\u2019 ilahlar\u0131na bazen fark\u0131ndal\u0131kla bazen de s\u00fcr\u00fc psikolojisi i\u00e7inde kulluk yapma mant\u0131\u011f\u0131 ile derin yaralar alm\u0131\u015ft\u0131r.T\u00f6reler, din diye lanse edilen Arap k\u00fclt\u00fcr\u00fc ve fanatizmi, \u0130slam d\u00fcnyas\u0131na olan bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131n, \u2019birle\u015ftirici\u2019 \u00f6zelli\u011fi yerine ayr\u0131\u015ft\u0131r\u0131c\u0131 olarak alg\u0131lanmas\u0131na yol a\u00e7\u0131yor ve yaz\u0131k ki kullan\u0131lan din d\u0131\u015f\u0131 arg\u00fcmanlarla \u00f6yle de lanse ediliyor. Kerbela hadisesinde ya\u015fanan trajedi ayn\u0131 zamanda \u0130slam dininde kapanmas\u0131 \u00e7ok zor olan derin bir yara a\u00e7t\u0131. Zira olay\u0131n m\u00fcsebbibi, bizzat bu dine iman iddias\u0131nda bulunan m\u00fcntesipleriydi. Ancak a\u00e7\u0131lan bu yara, kabuk ba\u011flamas\u0131 ve birle\u015ftirmesi gerekirken s\u00fcrekli ka\u015f\u0131nd\u0131 ve kanat\u0131ld\u0131. Ekilen fitne tohumlar\u0131 ile de ayr\u0131\u015fmaya ve par\u00e7alanmaya kap\u0131 aralad\u0131. Bug\u00fcne ta\u015f\u0131nan ve \u015fu an \u0130slam d\u00fcnyas\u0131ndaki en b\u00fcy\u00fck ayr\u0131\u015fman\u0131n sebebi olan mezhep\u00e7ili\u011fin tohumlar\u0131 da o g\u00fcnlerde ekildi. Bu y\u00fczden de Kur\u2019an\u2019i ve Muhammed\u2019i hakikatlerin b\u00fcy\u00fck bir dejenerasyona u\u011frat\u0131ld\u0131\u011f\u0131 o d\u00f6nemi iyi anlamak gerekiyor. \u0130nan\u00e7, ahlak, do\u011fruluk ve objektif bilgi ile hareket etmek i\u00e7in y\u00fczy\u0131llar \u00f6nce meydana gelen bu b\u00fcy\u00fck ac\u0131dan ders al\u0131nmas\u0131 ve g\u00fcn\u00fcm\u00fcz Kerbela\u2019lar\u0131na \u0131\u015f\u0131k tutmas\u0131 ad\u0131na y\u00fczlerce kaynak ara\u015ft\u0131rmas\u0131ndan sonra bu roman\u0131 kaleme ald\u0131m” diye konu\u015ftu.<\/p>\n
Muhammed R\u0131dvan Sad\u0131ko\u011flu kimdir?<\/p>\n
E\u011fitim y\u00f6neticisi ve ara\u015ft\u0131rmac\u0131 Yazar Muhammed R\u0131dvan Sad\u0131ko\u011flu, 1973 do\u011fumlu. E\u011fitim Fak\u00fcltesi S\u0131n\u0131f \u00d6\u011fretmenli\u011fi Ana Bilim Dal\u0131 ve ayn\u0131 zamanda Pedagoji mezunu. Pedagoji alan\u0131ndaki akademik e\u011fitimine halen devam ediyor. 1995\u2019te \u00f6\u011fretmenlik yapmaya ba\u015flayan ve daha sonra meslekten ayr\u0131lan Sad\u0131ko\u011flu, 2005\u2019te \u2019Y\u0131l\u0131n \u00d6\u011fretmeni\u2019 \u00f6d\u00fcl\u00fcn\u00fc ald\u0131. G\u00fcn\u00fcm\u00fcz geleneksel \u0130slam anlay\u0131\u015f\u0131na ayk\u0131r\u0131 bir dille kar\u015f\u0131 \u00e7\u0131kan Sad\u0131ko\u011flu\u2019nun \u015fu ana kadar yay\u0131mlanm\u0131\u015f 11 eseri mevcut.